{"id":4586,"date":"2026-02-19T11:35:25","date_gmt":"2026-02-19T10:35:25","guid":{"rendered":"https:\/\/malandain-pour-la-danse.com\/?page_id=4586"},"modified":"2026-06-20T12:49:11","modified_gmt":"2026-06-20T10:49:11","slug":"thierry-malandain","status":"publish","type":"page","link":"https:\/\/malandain-pour-la-danse.com\/en\/thierry-malandain\/","title":{"rendered":"Thierry Malandain"},"content":{"rendered":"\t\t
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About Thierry Malandain<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Biography<\/h2>

Singular journey of a humanist choreographer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Seen by…<\/h2>

Some unique looks that tell Thierry Malandain in their own way<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Writings<\/h2>

An artistic thought nourished by the History of dance<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Life of structures<\/h2>

A presentation of the structures that the choreographer has directed<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Collaborators<\/h2>

Around a choreographer, a collective adventure<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Press review<\/h2>

Views of those who write dance<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thierry Malandain in a few dates<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1977<\/strong> Dancer at the Op\u00e9ra National de Paris, at the Ballet du Rhin and at the Ballet Th\u00e9\u00e2tre Fran\u00e7ais de Nancy<\/p>

1986<\/strong> Foundation of the Company “Temps present” (Elancourt and Saint-Etienne)<\/p>

1992<\/strong> Installation at the Esplanade Saint-Etienne as an associated company<\/p>

1998<\/strong> Director of the National Choreographic Center of Biarritz<\/p>

2004<\/strong> Nomination for the Benois de la Danse and Critics’ Prize for best foreign show Festival Havana International Ballet for Les Cr\u00e9atures<\/em> style=”font-weight: 400;”>2009<\/strong> Artistic Director of the Festival Le Temps d’Aimer la Danse<\/p>

2012<\/strong> Critics’ Prize for Une Dernier Chanson
<\/em><\/p>

2014<\/strong> Taglioni European Ballet Award for Cinderella<\/em><\/p>

2017<\/strong> Best company award for No\u00e9<\/em> – Professional association of theater, music and dance critics<\/p>

2018<\/strong> Nomination for the Benois de la Danse for No\u00e9
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2019<\/strong> Elected to the Academy of Fine Arts, chair n\u00b01 in the choreography section<\/p>

2020<\/strong> SACD Prize, choreography section<\/p>

2022<\/strong> Installation at the Academy of Fine Arts, chair no. 1 in the choreography section<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4586","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nThierry Malandain - 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